Sparkling with its entirely overhauled mixing console, a new Chord track alongside the innovative Chord Assistance, advanced VariAudio, more instrument content and an array of enhancements make Cubase 8. I now have a much better grasp of the tools that have been cultivating in Cubase for years as well as the workflow enhancements of 8. Each of the bands works in the same way as any other compressor with the threshold and ratio controls and the attack and release affecting how quickly they respond. Moving on, Dave reveals the new Hover Controls, Insert Options and features that deal with Individual Tracks and the Mixer. Tim Hallas is the Cubase master… Mastering is a fine art and one that can make the difference between an amateur-sounding recording and something that sounds significantly more professional. Bottom line, if you are frustrated with trying to figure everything out on your own like I was, I highly recommend this series.
This is because it is easier to process it directly on a completed stereo file rather than trying to place it at the end of a complex signal chain. Wenn du Produkte über diese Links bestellst, bekomme ich einen Teil des Geldes. I feel like current and new users alike will be able to produce music and audio projects faster than ever before, and the upgrade pricing is very affordable. We will begin with lessons that will touch upon the theory and academics of what makes Cubase work. Like all forms of recording, however, digital is only as good as what you feed it.
His explanation of the new features are right on but you have to go through the course a few times because he moves just a little faster than my 61 year old brain can absorb. But to find out if Cubase might be for you, go elsewhere. This series is great for both beginners and intermediate users, offering cool insights, as well as practical information that will get you up and running fast. It took a lot of time, practice, and personal education to get me past that hump of feeling confident in trusting that what I taught myself was legit. When did you get into recording? Stereo widening of an existing mixdown can also widen the bass end, which is not usually a good idea since the bass should stay centred. Those 200 minutes of training were very well laid out, and I was able to sit down and do the entire course in about 5 hours with 2 small breaks. Wie erstellt man Spuren mit Instrumenten? Ei bine… nu este complicat, e doar fain! Finally, the changes to Alchemy get their own video.
I hope he comes out with another course that goes into a little more detail such as how he had Sony loops added into his Media Bay. It appears as a small black square at the middle-right of the Event edge. You can do things like set up speaker switching, create cue mixes or headphone mixes for other people in the studio, which is exactly what we'll learn how to do in this video. The next generation of industry standard tuning is here! To see how the thing works for your average person who is not the top engineer in Nashville? In diesem Grundlagen Videotutorial möchte ich Einsteigern das Arbeiten mit Cubase 8 Pro erleichtern. I watched a number of these videos from the beginning to get a taste. It contains all the aspiring musician and mix engineer requires to get started with audio and midi recording compositions. These too can benefit from some degree of processing to liven them up, to sort out boomy bottom ends, lifeless treble or myriad other deficiencies.
Either way I will still follow any more tutorials offered by Dave in Groove 3! Here for video after video you will watch how to route a click track and special mix to sound booth three. Please, lets have some more Cubase lessons. For anything that is going to be released commercially I tend to get it mastered by a professional mastering engineer who has significantly nicer and more specialist equipment than I do in my home studio. This is something you would do when cleaning up old recordings but it should be applied sympathetically with reference to the original material. Best thing I have done, with out a shadow of a doubt. Sure there are things I would like to see covered in more depth such as editing procedures and perhaps how to lay down initial beats using Groove Agent, but I equally appreciate that this was not in the remit of this video course.
The method of delivery, the quality of video, the attention to detail is first class and the range of topics covered is excellent. When working with a single stereo file — for example, a track that was recorded using old kit — you might want to begin with some gentle compression. I had wished for more time to invest in being able to make something that sounds ok, turn into something phenomenal. The son of educators, he has the ability to thoughtfully instruct people to get the most from complicated music products and software. Bottom line, if you are frustrated with trying to figure everything out on your own like I was, I highly recommend this series. You could do this with modifier keys and your mouse in previous versions, but now all you need is the Object Select tool, sans modifiers. This in-depth video tutorial series shows you how to use and understand the Spectral Analysis Display and tools of SpectraLayers Pro 3, while using it creatively on everything from Sound Design to Mixing.
As the course progresses, functions such as creaitng busses and the implmentation of the inspector are looked at prior to focusing on building a project. The first six chapters will help the new user get up and running quickly, but also contain in-depth explanations and details to help the advanced user maximize their Cubase experience. New Features oF Cubase Pro 8. The Ruler has now been split into two equal zones: The upper zone is for moving and placing the Locators, and the lower zone is for click-zooming with the mouse. Once opened it can be adjusted by the controls below the graphic display or by moving the curves around within the graphic representation.
When did you start dabbling in music? The Bypass, Editor, Select Insert, and plug-in name for Insert Slots are always visible in the Project Window, and appear when you hover over the Slot in the MixConsole. You can worry about fitting the processed audio back into a project later on, but your initial concern should be with identifying exactly why it sounds bad in the first place and how you can go about remedying it. Our mix of scripted lessons, instructor-led exercises, and animated visuals make learning Cubase fun and effective. Take a muffled vocal recording, for example, which generally contains too much lower mid and not enough upper mids. Cubase will ask you if you want them on the same track, to use existing tracks or if you want to place them on separate tracks. I am an excellent finger drummer though to say the least! Furthermore it would have been nice if specific features were highlighted when explained given the used resolution in the tutorials and the fact that I am exhaustingly trying to see where the mouse-pointer is on the screen. The Hover controls in the Inspector left and MixConsole right.